Get that combination and coordination of tapping, hammer-ons and pull-offs flowing nicely with a minimum of stops. It can in addition be usefull for those new to tapping to build up some tapping-finger strength.

Extend your rhythmic ideas over a static chord progression.

We'll work on rhythmic variations with the tapping technique using one and four fingers.

A fast descending pattern to get you down the neck in style.

Show some lick that will give a fresh sound to the old and over used pentatonic. Two concept in particular will spice things up: Rhythmic Displacement and Accent Shifting. This lesson will improve: Pentatonic Knowledge, Phrasing, Rhythmic Displacement, Accent Shifting and Sweep Picking.

In Etude No.2 we look at playing polyrhythms within fingerpicking patterns. This is part two in a series of etudes.

In this series we will go through some main stages of making a good sounding jazz composition. Many people think that scales and arpeggios are what are most important, but chords are actually the most important thing.

Master the diatonic pattern once and for all using systematic approach! In this lesson (which is the second in line) we will cover 3 note per string method. 3 notes on every string make 7 patterns starting from every note of the scale. If you want to learn to shred you just HAVE to learn this.

This is the easiest lesson on Arpeggiated Chords, where all the notes were played in sequences, from the lowest one to the highest. The picking motion is not the constant alternate one you are accustomed to, but follows the same rules of economy picking.